11/7/2022 0 Comments Vincent van gogh font buy![]() ![]() When we opened, we didn’t anticipate the interest that we got in volume - neither in the demographic it’s way younger than we’d thought. ![]() But everything is racing beyond creatives, and freelancers, especially. I’m optimistic about Dogpatch, the arts district here, because it’s more affordable. But I don’t know! I might have looked the other way and said Russian constructivism.ĭo you find it to be as rich, creatively speaking, as it’s ever been? Just yesterday I was looking through four or five albums of matchbox covers from the late 19th century and early 20th century, from Sweden, Japan, and Belgium, all from the same factory, which exported them all over the world. I can think of a couple of things - some new arrivals and some that I’ve discovered in the collection. The collection has exploded so much that I see things I’ve never seen before every day.Īnything in particular? Something super special? There are things in the Bauhaus show that I acquired in 1981. I can tell you, because I coded my books.- I did so religiously at the beginning, when I started collecting - which means that I can look in a book and see when I bought it, and for how much. It was a while before I got into collecting the antiquarian market. A lot of the books were quite normal - just regular new books. It’s not like, flip a switch and all of a sudden you’re a crazy collector. I can’t even remember the beginning - I was just a student buying books. I probably did my 10,000 hours of calligraphy within about two or three years.ĭo you remember the first piece you bought for the collection? ![]() I got an Osmiroid pen set, which is a fountain pen with edged tips, and started playing around. I had a tutor who was learning it at Northwestern and turned me on to it, and I was just fascinated by it. Were you practicing calligraphy at 18? I don’t know a lot of 18-year-olds who make that choice. Then I studied that and was an educator for a while, out of college. I started doing it at 18, and I went pretty deeply down that rabbit hole, which led to typography and graphic design. It started, you know, like a lot of passions: I was very young. I’m sure you could have done anything you wanted in the art or design world. This show represents the former an upcoming exhibition on graffiti arts will focus on the latter. “We’re either showing things that we have, or thing we want,” Saunders says. The first exhibition will focus on the typography of the hugely influential Bauhaus school, founded by Walter Gropius in Weimar, Germany, in 1919. Letterform Archive has been open to visitors since 2015 - welcoming, by their math, “10,000 visitors from 30 countries, including students, practitioners, and letterform admirers from every creative background.” While COVID put a temporary halt to that, Saunders and his team were busy planning the debut of this new space in Dogpatch. The online archive makes much of these easily accessible. For artists, designers, and all-purpose dreamers, it’s a wonderland. The 75,000+ pieces in the collection range from “type ephemera” from 1930s Germany to a broadside of typefaces from a 1780s print shop to an equally old book from Indonesia containing a majestic illustration of a buraq, a winged, horse-like creature. For four decades, Letterform founder Rob Saunders has collected exceptional examples of the letter arts from around the world. If you go, right now, to Letterform Archive’s Instagram page, you’ll likely see all your coolest, best-dressed friends in the list of accounts in the “Followed By” section. ![]()
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